Tomaš Agat Blonski was selected for development of the conceptual and performative potential of photography, while adhering to the traditional genres and often even archaic technical parameters of this media (use of mini-camera Agát); enrichment of creative potential of the photo-portrait (the series of baleful portraits of chickens above lie size), as well as revival of the photo-report genre through a diptych programmed directly in the camera.